Endless War
The last seismic bomb
exploded off the coast.
The decimated masses
scrambled through the slag,
shuffled on their knees,
cried in holy fires.
But then a silence surged—
and surged,
like pollen drifting high.
The war had ceased
at last.
Under monsoon rains,
the crowded skies
were filled
with undiluted laughter.
People drank cheap wine,
as the ozone breathed
like God.
Yet, some still yearned for static,
and one more doleful strike;
to obliterate the plains,
to crack the world’s insides.
But they’re just sluggish beasts,
with perforated hearts—
they ache for constant war,
with propaganda eyes.
Daniel Klawitter
Your Face on Social Media
I saw that picture you posted:
Your arm draped around some guy
At a concert I wasn’t at.
But the shimmer in your eye—
Was just shy of devotion.
Your smile: softer than a butterfly
For the one you had chosen.
I was reclining at home alone
Watching TV and petting the cat.
Suddenly, I had something to say.
So, I said aloud to no one at all,
Sounding like a sad-ass castaway:
“I wish to God there was someone
Who would look at me that way.”
My cat turned his head to stare
At myself. I said: “Not you buddy,
I was thinking of someone else.”
Chris Callard
Airplane Mode
So what if I don’t put the phone on airplane mode?
Will it mess with the cockpit and send us smashing to the ground?
And while cleaning up the crash and collecting our body bits will they find my phone
and trace the disaster to me?
I wonder about these things as I sit in my aisle seat.
I need an aisle seat because I’m claustrophobic
and just plain scared about this whole flying contraption.
Yes, yes, I know, it’s safer than driving the freeways,
or so they tell us, they.
Admittedly, I’ve never been killed in a plane.
Nor in a car, for that matter.
I’m alive and get from place to place.
But still rather frightened.
Not just about transportation.
So if I don’t switch the setting quickly on the phone
have I doomed us all, this young family across from me,
the teenagers behind, so much ahead of them all?
I’m ignorant, and forgetful, and not a seasoned flyer,
and never ever listen to what the attendants say
or read about plane crashes and their causes.
So I just don’t know.
The modern world is a mystery, so many electronics that
might fry our brains that we don’t know about
until the tumor is too big.
So far, though, so good.
I mean, I do know how to switch my phone over,
and, there, I just did, just saved everyone.
But I always speculate before we get up in the air.
Jesus, man, I’ll just take the train from now on.
Though I’ve heard that when cattle get stuck on the tracks
it can be a real mess.
Job
This job, this mind-mashing driving-me-up-the-wall job.
I get 20-minute breaks and it takes me ten to disengage,
decompress, and am still depressed.
Fifteen minutes into my shift I’m suicidal.
Hey, he asks, happy here?
Not ecstatic, no.
Why? Cause it’s my role to ask.
I need the money, get it?
Sure, I do. So quit if you don’t dig it.
The walking dead could do this in their sleep.
The walking dead, I think, don’t sleep.
Well this place would knock ’em out.
You have a great phone voice, that’s why we hired you. Ever
consider books on tape?
Huh? What the…
Just an observation. But we need to sell this stuff, and fast. Can you do it?
Thanks for nothing. I quit.
Cool. Love chatting. See you tomorrow.
After blowing his brains out while lying in bed I slept fine,
and applied to In and Out Burgers.
Goddamn I should have gone to college.
Orman Day
Karma
In the parched Mojave Desert,
I’m workin’ a summer job
on a railroad survey crew
in '64 when Larry taunts
and kills a rattler
with our brush-cuttin’ axe,
disrespects it in death,
hurls it into the spines
of a
Later, a train surprises Larry,
kills him standin’ between tracks
at the end of our lunch break
minutes after I leave his side.
A butchered serpent,
a mangled body.
I ask myself, “Is this what
they mean by karma?”
Seekin’ experiences to write about,
three years later I get dropped off
alone in L.A.’s squalid skid row
with coins, a razor, a spare pair
of underpants in my pocket,
two bucks hidden in my socks.
After a few days three buddies
and I hike from a rescue mission
to a jungle next to train tracks,
a ravaged landscape where we dine
on peppery Mulligan stew served
in a rusty can offered by an old hobo
missin’ teeth, wearin’ greasy overalls.
While we’re waitin’ for a boxcar
to fling ourselves aboard,
my buddies size up a wino
shufflin’, stumblin’, shoutin’ nonsense.
Willie says, “I could sure use his coat.
Mine’s ratty as hell. Let’s roll him.”
“Nahhh,” I say. “That’d be bad karma.”
He asks, “What’s karma?”
I answer, “Let me tell you a story.”
Richard LeDue
“My Worse Addiction”
Looking for one more line,
even one more word,
just to make another poem,
as if metaphor
was my worse addiction
instead of the empty bottles
that treated me better
than all my old friends
who I haven’t heard from
in years.
Ian Mullins
Ultraviolet
I got the white girl blues
again Momma;
standing here skinny
under fat blue lights
faces all around me
shining in the rain,
smiling through the mud
as though it was a face-pack
they gift for free
and here’s me, singing my blues
like I was recording
someone else’s suicide note
on a dictaphone,
going over and over the same old
tunes, stripping my skin
like I’m tearing used paper
but feeling nothing,
Momma. No smiles
for your little girl to smile,
she just wants to run and hide,
drown her head in a bucket
till she finds new air
to breathe, new songs to sing.
Momma, I hate my life
but I still want to live.
I’m tired of the saloons, the songs
and the blues: it’s time
to get the hell out of Dodge.
Ma Yongbo
Late Autumn on Paper
Between hands, paper and brush, between soul and flying birds
lie shadows drifting in silent transition
White crags, white winds, and figures in the water
splash foam against the boat sides, keeping a sober distance
from the drinkers aboard
Heartbeats beneath the waves ring clear and plain
late autumn, mountains loom high, the moon dwindles faint
Beneath damp heavy curtains, sleepers lost to day and night
bend their knees slightly, bracing against the core of dreams
In woods bathed in crescent moonlight, wanderers returning from revelry
hasten home with hats pressed tight, clinging to lingering warmth
Lost travellers shout across the stream
echoes mimic one another, like a man and his own inner self
Thick mist drips down bamboo leaves
leaning a staff by the water’s edge
weeping eases the ache of the soul, yet silence stretches boundlessly vast
No one may cross its realm, nor add to nor take from its essence
from beneath the hat spill endless lingering doubts
Doves spread wings and fly away
while crows plunge headlong to the ground, upsetting water flasks and gauges
Still some will climb higher peaks through pouring rain
drink deep the darkness of a whole year, and meet pure solitude
When trains rumble past the valley, verses flow unbidden from their lips
heedless of unseen listeners
or swarms of stars swirling before their eyes
Where history lies laid flat
place lamps, letters, and a few worn old garments
Such days are few, the fragrance of roses still lingers amid dust
while heavy frost and shadows settle upon dark treetops
John Grey
JUNGLE IN THE CITY
In the jungle,
if you’re not sweating,
then you’re not living.
Unless you’re a lounge lizard.
Their blood is much too cold
to be bothered by steamy heat.
It’s after dark and the denizens are out.
There are jaguars,
chrome‑plated felines with bulging chest hairs,
parked sideways outside the more popular
of the neon caves.
They’re hungry. They’re famished even.
But they do their best not to look it.
The prey shows up
and they are dressed to be eaten,
in slinky little numbers
that cost too much and cover too little.
They strut like they own the night.
Too bad that the night owns everybody.
Inside the club, it’s wall to wall wildlife:
spiders as big as tabletops,
piranhas swimming below,
while vultures lean against the bar.
Everything is meat to them,
in various stages of decay.
And there are snakes everywhere -
some with scales, some doused in cologne,
many a forked tongue making deals
while fangs await their moment.
Vines and other stranglers
wrap around whatever’s soft,
whatever’s slow, whatever’s foolish enough
to show their money.
Everything crawls and bites and hustles.
It’s Gaia’s grand plan,
or maybe just Saturday night
after the clubs heat up.
Drawn by the lights,
animals show themselves.
Michael Adubato
Chalcis
The Asli Elif sits across the road
Flying her Turkish flag
In this Greek port
Where the tides turn
Back and forth
Over the years
Swirling and curling
Under the old bridge
In Chalcis
Where the infantry trains
The July sun bakes the pavements
And cicadas scream
Butterflies refuse to lift
Heat—so much heat in this island town
The sun frying the dry hills
Like a short-order cook
Beating down
On the fortress
Built by the Ottoman Empire
Over three centuries ago
The Asli Elif
Still flying its flag
Daniel S. Irwin
True Romance
He laid a line on me.
Says his new woman
Is just so fucking good.
Beautiful babe with
A plump rounded ass.
He just met her last
Night and they hit it off
Right away. No sex yet
But he’s really looking
Forward to it. Maybe
Tonight in the midnight
Hour. Woman’s just a
Sports digest. Knows all
About all the pro games.
Unusual for a woman
But he likes that. Shows
Me a picture taken last
Night with his phone.
Take off all the makeup,
Ignore the long hair and
I swear that that woman
Was on my football team
In high school.