Before the Relapse a heart-prolapse, insignia of hour graciously galloping in cyclone of gore. every leap, every mile, a recalcitrant shower: is every earth not an ore of the onerous? breath, a dissonant swing, fluctuating like a restless wind seeking where to nest. are we not all wings seeking where to perch? but this suffering, a persistent plough, a pinnacle tirelessly rowing itself to unsatisfactory shores. a spine-prolapse, an interminable hammering of life’s tarnishing tides, tinctured into a threshold of damnable trailblazings: are we not all farmers of futility furnishing death’s furrow with our sweats? a larynx of leaves, a sway of scythes—songs quartered, quashed to rotten brown reminiscent of recurring droughts stationed at doorposts of new beginnings, the reopening of recycled ash. here, it’s either you grow or you burn. it’s either you sing or you become a song ferried by mythical birds meandering in restless winds. euthanasia is a prayer, a fervid hope of things to sprout in the afterlife—maybe there, mercy awaits us like hungry loam awaits a lectern of raindrops.
The aesthetics this makes out of suffering is remarkable; enough to want to make a move as optimism for the sake of tearing down the idea which says suffering is necessary to make good art. “lectern of raindrops” is absolutely killer.
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