Toothbrush: Thought Police # 89
Dear Colgate 360, I want you in my mouth.
During Board meetings, Labour Management meetings
when the interpretation of Article 34 – Sick Pay – gets sticky,
during budget presentations to the Finance Committee,
then do I want your supple, absolving bristles on my tongue.
I knead you between my lips, the plastic neutrality
of your handle a temperature just below mine.
I lean over the sink in the women’s bathroom.
People are always asking, supplicating, extracting decisions
– that grievance payout, that motion to rise and report,
that 5% budget increase for another fiscal year –
but with you in my mouth, I have a reprieve.
Dear Colgate 360, Chief Oral Officer
and Director of the Department of Hygienic Affairs,
I crave your mint aftertaste, the flavour of a directive well-received,
of strategic alignment while churning out a policy report at 4:00 am.
You are the taste of a well-placed semi-colon,
a termination letter delivered on a Tuesday,
a conference presentation, hungover but hiding it well.
Don’t flatter yourself – I know you’re not a lone operative.
I see the support you gleen from your executive team
– Toothpaste, the Bringer of Mint; Dental Floss, the Fixer.
None of us are any more than the products of our surroundings.
And don’t think your work is over at 5:00 pm.
At the end of the night, you are my final accomplice,
scraping off the evidence of G&Ts, another blowjob, whatever.
I cradle you in front of a different sink, a different mirror
and contemplate my distorted cheeks as I brush.
Author: The Beatnik Cowboy
Johny Takkedasila
Eternal Infant
1
He stomps the earth again and again,
drowning it in the melody of his laughter.
Rules, warnings, and threats—
all fade beneath his tiny lips.
2
Even in helplessness,
he clenches his fists in courage,
rising like a sun in the Milky Way.
Wiping away boundaries, he crawls forward,
softly claiming his freedom.
3
Hiding his face behind a dark cloth,
he chants— ta.. ta.. ta.. ta..,
bewitching with playful tricks.
Then, lifting the veil with a smile,
He lets the moonlight embrace him.
4
Scooping sunshine into his palms,
He fills himself with light.
With delicate strokes,
he awakens the seven notes of melody.
For a while, he sways like a pendulum,
then pushes time aside.
5
Between his small hands,
claps are born.
From their rhythm,
a fresh voice takes breath.
6
From his music, a father is born;
from his gaze, a mother—
falling gently, like tender petals.
From his lips, bonds unravel,
thread by thread.
Between night and day,
He is the architect of love’s foundation.
He knows neither poison nor cruelty—
He is the pure churner of an ocean of milk.
7
Years pass, yet nothing fades.
His feet step into adulthood,
but his laughter still stomps the earth.
His hands bear the weight of years,
yet within them,
the same claps echo.
8
He wears a suit, speaks of deadlines,
yet still chases butterflies in his mind.
He makes decisions, signs papers,
yet his heart scribbles dreams in the clouds.
The world calls him a man,
but within him—
a child peeks through time’s cracks.
9
He is the child who never outgrew wonder,
the man who never lost innocence.
A grown-up baby,
cradled between yesterday and tomorrow.
Tear-filled eyes today,
but tomorrow's painted in dawn’s gold.
Robin Wright
Whatever I Amount To on a Given Day
My thoughts keep streaming
like some Netflix series but duller,
fewer laughs, more trepidation. I am
the B-class actor in my own show.
I direct as well, ordering myself
through my sets: living room,
kitchen, bedroom.
But laying down my glasses
and forgetting where is not
in the script. Taking a tumble
will have to be a one-shot scene,
no retakes on that one.
On a day when sunlight
shines through the kitchen window,
I aim for comedy, juggle knives
for my audience of plants and cats.
The cats run; the plants stay.
I hoped for applause,
but no blood after the act is a wrap.
Nicholas Viglietti
Slick Survival Kinda Style
None of us lie.
This world –
A mean motherfucker.
Brutal hurt,
Every day.
We spit truth,
Styled in the way we survive.
J.J. Campbell
and we all know what comes next
sometimes life happens way too fast
but most of the time, boredom is starting
to wrap the cord around your neck and
we all know what comes next
i've lived long enough to watch most
of my family die
all the pain, the suffering
what becomes of dreams crushed before
they ever get to be
keep your head down and carry on, never
talk back
all shitty advice from a man that never
wanted to be anything other than rich
without ever having to earn it
my father never loved me
and of course, that is why the page is
my fucking therapist
he went to vietnam to die
and i had to pay for his inability to die
in a war where all of his friends did
maybe that’s why i've had success
gambling
no one deserves that kind of shitty
luck
Howie Good
Metaphorically Speaking
I will chop down your weeds
and dig out your rocks and
stumps. I will turn your soil
and maintain your tractor.
I will muck your stalls and
abundantly fill your hayloft.
I will be your scarecrow.
Daniel S. Irwin
Words
People ask if my books sell.
Doesn't matter. If I wrote
For the money, I'd write novels.
That's where the money is
Other than in writing TV ads.
I'm just sharing some of my
Words with the world and not
Caring if anyone likes what I
Say or not. I'm not some fool
Looking for a pat on the head
Like a dog, maybe a nuts rub.
It's just me and what I come up
With. I even read my own stuff.
Every once in a while, just every
Once in a while, I read someone
Else's.
Zhu Xiao Di
The Sun Is Always There
The sun is always there
Although it is raining
Water is pouring and
A flood is forming
The sun is always there
Although clouds are gathering
Blue sky is quickly blocked
While sunlight is still in the air
The sun is always there
While you’re not looking
It warms your heart
With or without your noticing
The sun is always there
As long as you have faith
It will appear again
At the very moment you forget about it
Alan Catlin
The Local
Climbing the narrow walking path,
The Local points to where
the crop circle appeared last year,
says he met some Americans like us,
last year, who were here from Kansas,
who said they made the journey near
the Summer Solstice, like us, to be closer
to the UFO's that seem more frequent
in warmer weather.
His companion checks out the Neolithic
burial chamber we were climbing
to see, says, "It's walking into the woman's
vagina, that is, the mound opening.
Each of the interior cavities represents
different parts of her body: the arms, legs
and head." I was tempted to ask,
"What about the glass windows in
the antechambers? Are they mirrors to
the soul or what?"
But I bite my tongue.
Questions might spoil The Local's monologue
about Crop Circles, UFO Landings
International Conspiracies, Cover Ups,
and all that good stuff. He's into juicy
stuff like, "Silbury Hill is a landing area
for space ships & other UFO's.
Everyone around here knows that,
all this stuff about a shaft collapse
during the last monsoon is just government
nonsense." When he notices my hearing aid,
he knows I'm listening but he can't be sure
to what, or, whom I might represent
and backs away, tongue tied now,
fearing the worst.
Orman Day
In a Raspy Voice
origin of my blues poems in 2018
On a sultry day waiting in the Honda
while my Muse shops in Trader Joe’s,
hoping she doesn’t forget my soft licorice,
sweating cuz the air’s turned off
and she didn’t leave the keys, admiring a gal
bending over to shove grocery bags in her trunk,
suddenly my dry mouth dropped open,
out rushed a raspy voice I didn’t recognize,
“I got the blues.” A deep breath. “I got the blues.”
Over and over, I repeated the oracular words.
As Sonny Terry has crooned, I was a white boy
lost in the blues, though I was six decades away
from being a lean pimply kid, dateless,
singing loud and off-key in the church choir.
Needed to figure out what I was bluesy about.
Couldn’t duet with John Lee Hooker
cuz I don’t have the house rent blues,
or with Etta James misty about lost love,
or with Trixie Smith or Sonny Terry
cuz I no longer sprint beside lonesome tracks,
leap into the frigid box car of a lonesome freight.
Even beside Muddy Waters, I’d be nobody’s
Hoochie Coochie Man with mojo, a black cat bone,
making pretty women jump and shout.
Back in ’02 paddled a canoe with my friend Paige
the Big Muddy from St. Paul to New Orleans,
reminded of Leadbelly as we passed Angola Prison,
Son House as I climbed over a levee to fetch water,
Robert Johnson as we rambled through Rosedale,
Earl King as I glided at last into Audubon Park.
But now I’m a tourist, no longer a traveler
who lifts a thumb, waves a hand-drawn sign,
converses with drivers who want to laugh or confess.
B.B. King could sing the blues after paying his dues,
lying in a ghetto flat numb and dusted with rime,
turned away at the welfare office, staring in a mirror
at the lined, slackening truth wrought by Father Time.
Cataracts clouding my eyes, got mobility issues
so I shuffle to avoid tearing soft tissue.
Prick my figure every morn, swallow pills
I don’t wanna take, remember and rue
every time I try to snooze. Google ex-girlfriends,
sorrowful to find them dead. Sometimes dizzy
when I clamber outta my bed. Are these my dues?
Not sure how I’m gonna do it,
but I’ve gotta take a deep breath, bellow my blues.