Belinda Subraman

Cinematic Illusions Before 1960
 
Back when the stories of our lives
Were told in black and white
Back when differences were scorned
When acting pious was the norm
 
When key lighting was a dramatic must
When a drink and a smoke
Were accepted, expected
In everyday life
And phones were connected to curls of wire
 
When women, all but the loose
Wore dresses, hair sprayed coifs
Neatly parted on the side
When sex was readily made
But usually denied
 
When handshakes and shadows
Were clues
When flirts wore tight clothes
But showed no cleavage
 
When a sermon in church
Made us cry
When older men were wise
Judges were right
And good guys won
 
Handkerchiefs were in pockets
Tie clips on shirts
When a mustache and a pipe
Meant an elegant man
When priest and nuns were golden
And children, always and forever
Were safe with them   
 

As the Cold Comes
 
We cast our fears 
into ghosts and monsters
that haunt or hurt us
in our mirrored bits of universe.
We process projection
 hug creative gods again
let our fingers worship light
in this season of tugs
from the devil and the dead
the prelude to family potlucks
laughter in unison
having moved away from the holler
where a metal box in the creek 
hides bottles of homemade booze.
 
I was a hillbilly child once removed
a preschooler avoiding the stinking outhouse
by peeing downhill by the basement
as  close to the barking dogs as I would dare go
I was alone with a brother who tortured or ignored me
and a grandmother who surreptitiously sewed
in order to buy contraband 
like Avon gilded dust catchers
that multiplied the meager light
and beamed back to the universe
a boundless love.
We opened to the yin and the yang
where we struggled
until we numbed rational voices
and honored myth
a second chance and a jackpot
a soft bed to land on in humility
where families embrace the impossible again
the highest order of illusion, a delicate bubble
a celebration of our close-knit clarity
as we huddle in the cold season
and enjoy our fears.



Like Ireland   ( to an ex)
 
Remember the leprechaun man
at the Folk Museum
in Belfast?
An official guide he was
who got weirder
the more he talked.
Soon he was telling
of IRA terrorism,
devil worship,
and hinting at things
so much worse
he dared not tell.
He had quit it all
to live a quiet life,
to entertain
and to scare tourists.
            When we left
             I shook his hand
            and said, “Perhaps
            I’ll transfer
            special energy to you
            through this shake”
            and he said, “Yes”
            and I could see
            that he believed I did.
            I left my mark on Belfast.
Then there was the night
you slept through gun shots
just outside our window.
Others ran through the hotel
to the street windows.
I was afraid,
imagined the shots
were meant for us,
the only American tourists
in Belfast of a troubled year,
so I saw nothing.
Next day I told you.
You were not surprised
or interested.
The paper reported three deaths
that night
and every night we were there.
            A land of ghosts
            and terrorists
            and beautiful
            imaginative people
            and us.
We slept in separate beds
and never touched.
            So where was the fiber
            of your being?
            What makes you sleep
             so soundly at night
            and seem so tense
            during the day?
            Where do you travel 
            in your dreams?
If only we could reach out
or at least turn towards each other
and dream
at the same time
locked
into a separate oneness,
like Ireland.

Jared Bowns

Glass Soul

some days when i awake

i see the world for what it is

and my life becomes a movie,

my space odyssey,

is all red, all kubrick

there is little oxygen

in this slow moving panorama

of magnificence

and human wreckage,

every so often,

the angles become clear,

my heart becomes a beacon

and my glass soul

is filled with more beauty

than i know what to do with

Dan Flore

El Diablo

El Diablo
sun rash going on now
dead blue dove day
at a mid tempo speed
Arizona desert
you can almost think,
life is common denominator of doom
tractor trailer loss of control on the road
carcass of armidillo
West Yaqui River Virus
dead rising from the waters
headphone wire, black snake in your ear
you’re writing mirages
in your notepads and sleep
El Diablo
the ancient perfume
you left in your parents’ bathroom
that tells you it’s dead
blood flower nectar squirt
on the side of a muted gold van
unloading giant desert radial tires
being surveilled for robbery
the paint peeling on the bodegas
looks like your skin
make a wish
into the dead pink
Madonna statue’s eyes.

Jonathan Beale

Bonfire nights

 

“…Gold as anything needed to be

to and to find its form

Somehow, somewhere but where?

The keys cross: to open to close

The bonfire sparkles as she dances:

As she spits, stares and lures

The light reflects upon the flesh

of the whole complexion of the night.

Here is where the men and the women

Find light in this lightless sanctuary

Their voices that become; poetic –

Poetry opposing the eyes attachment

….deep and dark the salted ambiance

Olive skinned red and green

The liquidity of the grape

Telling tales: telling – telling

The soul is here: alone

Against the night: the two become one”’

“I was there, was it a dream?

…or life or a dream of life

Romanticism and classicism are lost

They were not needed

as we did not need anything,

We are dancing with the flames

Long long into the night….”

 

The dawn drew up and away

from the nights fire dream state.

As we awoke in amnesia.

Smelling only cinders and ash.

Michael Marrotti

‘A Social Utopia’

They want free
universal
health care
as do I

An individual
bathroom
for everyone
even your pet

A viable wage
the eradication
of poverty

Smiles on
the faces of
all human beings

A social utopia
where everyone
is holding hands

Free drugs for all
and free eBooks
that collect
digital dust
on the internet

Since a world
free of suffering
makes for a
literary genre
that’s accustomed
to bad writing

© Michael Marrotti

Jared Bowns

“Don’t Make Me Wait”

I saw myself cast in the shadow of the train station dawn,

The light laughed as it passed me by,

How foolish a man to think that he deserves a wait,

That he deserves anything in this relative world of jelly beans and calamity,

Served with a side order of clandestine entropy,

All I know for certain is that the further I get home,

The more I learn about myself

Whoever the fuck that is

Paul Crompton

Bartender, just one more (Leonard Cohen love song for the road)

You whisper to me,
so the bartender can’t hear,
“I can feel
the bare bones of love
rattling through the ancient catacombs
of my soul”,
but you know,
as well as I do,
that holding out,
with all your might,
for a teenage feelin
you’ve no right to believe in,
will only drain
the colour from your face
faster than you suck at that glass.

You sigh, and look to the floor,
jam your hand
in your pocket
and cry to the bartender:
“One more!
just one more for the road,
and keep the change,
or least change
the jukebox
to a Leonard Cohen love song”.

 

Dr. Randall Rogers

Hello. I go back to work this Sunday. Could be a gas. I’m a cab driver. I work the streets…. With these words – ‘palabras’ in Spanish – this editor, a half-editor at that, attempts to greasily weasel into your soul. Don’t let him. Be vigilant. Join the “Not My Editor Movement” and goddammit free Snowden, now that Castro’s gone. My brother was a big one for offering, ‘free mustache growing lessons’. I almost got killed one time offering help for a struggling young man. I really thought the cracker was going to kick the shit out of me. And imagine, this far north! Huh! It was consolation, though, in that if the young man fought like the delicate blonde wisps on his chin were attempting to grow, well, out of pity I redoubled my efforts and told him with my help he’d be shaving in no time. The brute even tried to attack me! Imagine.

Pitchforks! Man, pitchforks!! Oh do I remember “Night Gallery”. The 1968-69 TV show. A restart up of “The Twilight Zone”. Rod Serling still smoking, introducing themed paintings from a spooky art gallery. He’s got longer hair but still is wincingly appropriate for his role; introducing the teleplay stories of fright. But rarely was their fright. In its stead there was humor. Humor of the best kind. Unintentional humor. From material methinks was supposed to resemble horror. For instance my favorite, the episode about the biker going to hell.

It starred John Austin, the Addams Family show Dad. And a bunch of old geezers. “Gomez Addams” ( the actor John Austin) played a hell bent for leather biker in a nondescript pre-departure area getting ready to jump into the chute and slide on down into hell. He’s freshly dead, and excited; he’s heading to hell. Wearing a long wig and hat, loaded down with chains, swastika jewelry and leather he is anticipatory. He wants it all, unadulterated. The fire, hot pokers in his eyes, meeting the Devil, the whole shebang. He goes down the chute and arrives in a retirement home with the residents dancing gently to old time music. He wants to see fire, gnashing of teeth and wanton death and destruction. He finds kind stooped older people, sweetly dancing. Moral of the story; when you desire something much, so much you are visibly excited, wantonly eager, things conspire against you to ensure your wish is not the Universe’ command. And you should always trans-value values (Nietzsche). In life, and even in death, the opposite is always true.

Now last time I spoke of the nano-generator building from nothing up. Stacking atoms and molecules until the item is completed by smart computer programmed building atoms. The nano-bot plucks atoms out of the air or a solution to build, from a single atom up, stacking various molecules until the item – say a food item, a house, an auto, huge mile long nuclear craft built in space – achieves proper form and function. And scarcity and power differentials based on material wealth vanish. A status based society thereby ensues, based not on money capital but cultural capital. Yet, possibly, the theorists tell us, a far different scenario ensues. In the alternative scenario the nano-generator does not transform atoms into useful stacked molecules (a molecule is atoms combined in a certain manner) but rather, the atoms are combined in an amorphous mass defined as the “gray goo”. This transformation starts and cannot be stopped. The process does not build but dismantles already existing molecules into a structure-less mess of in-completion. All life, including humans, becomes reduced to a simple molecular or single cell structure incapable of supporting life as we know it now. It is the ultimate nightmare scenario and all semblance of Earth as it is vanishes as a sort of useless molecular stew dismantles and converts the planet and perhaps the chain reaction engulfs and changes the entire Universe until another order-er or natural selection again occurs. This is why Israeli scientists wrote me requesting copies of my article. I believe they were most interested in the part where I spoke of weaponizing this possibly new method of construction. The operative line in my paper was when I spoke of computerizing atoms, setting them a-drift in the air and programming them to dismantle humans from the inside out. Of converting human molecules into some form of a deathly gray-goo. And sending them with the breeze over to Palestine! Yikes!!

But no matter, continue writing up until the point of your dismantling and you’ll be fine. Like Orwell propped up in his death bed typing getting it down until the end. If you engage in such scribe activity, the day of your death will surely be “a night to remember”. So keep those poems coming, cherish yourself and others, stay health and most important of all, keep writing.

 

Ciao,

Randall

12/9/2016

 

Ross Vassilev

little Eichmanns

 

for Ward Churchill

 

getting fired for telling the truth

is nothing to be ashamed of

 

maybe it’s for the best

 

maybe the little Eichmanns

reflected on

the evils of their ways

while praying to their

blond, blue-eyed Jesus

on that fateful day

 

or maybe they didn’t

 

at any rate

 

America’s vengeance

for 3,000

translated into

1 million dead in Iraq and

a somewhat smaller total

in Afghanistan

 

it depends on how exactly

you figure the numbers,

I guess

 

whether you include

“collateral damage”

and deaths from starvation

in the final sums

of the Empire’s reckoning

 

anyway

who’s counting?

 

 

 

 

 

 

 

Michael Marrotti

‘Testament To Bad Writing’

This poem
is a testament
to bad writing

It’s here for your
entertainment
like a hitchhiker
to Ted Bundy

I conceived it
in the bathroom
after a hearty
meal at
McDonald’s

I wiped only twice
leaving remnants
of feces attached
to my ass
for the sole purpose
of inspiration

Behold here it is

What should have
been properly
disposed of
in the bathroom
is now a piece
of poetry

© Michael Marrotti