Vern Fein

MRS B’S CROOKED TEETH

You, the wife of a handsome English prof
who made literature sing.
We, the hippies who lionized him.

We came to your porch evenings,
drank and smoked dope,
marveled at his insights,
e.e. Cummings to Shakespeare.

But I felt a weird vibe.
As the prof drank more and more,
he began  to ogle the hippie chicks,
flirt with them, stare at their braless breasts,
letch at them and ignore you.

Mrs. B., an Iowa farm daughter,
your teeth turned your face ugly
compared to the nymphs
who oohed and aahed at your husband
who unabashedly played to them,
left you, mouth closed, lips protruding
rooted in your church shoes,
sipping a Coke through a straw
to prevent hand wringing,
a simple dress, revealing
an awkward body, hiding
a burgeoning figure, babies
asleep inside, unawares.

I’m just a repentant, old hippie guy
who did his own damage to women
back in the Day. Mrs. B., I’ve mused
about you in my retirement years.
Hope you fled to better off.

Daniel S. Irwin

Input

 
You know, I listen to
Whatever you say.
Input is always good.
Hashing things over
Deep In the mind is
A part of anyone’s
Thinking  process.
Just remember that
When I do ask you
For your opinion,
I’m really only being
Polite.  It’s not as if
I actually give a shit.

Gabriel Bates

Loneliness


It follows me
wherever I go—
the factory,
the supermarket,
the bank,
even my apartment.

I can't ever
get away from it,
like some kind of ghost
that's haunting me.

It's there
when I'm at work
and feeling
barely human.

It's there
when I'm taking a piss
in the silence
of a bathroom.

It's there
in the cab
when I'm too exhausted
to make small talk
with my driver.

And it's there
when I'm the only one
at home still awake,
just trying to find the will
to make it through
another night
with this damn thing
hovering over me.

Tim Suermondt

  WHAT WE DO WHEN THE WORLD
  DOESN’T DEMAND WE DO ANYTHING

 
I scribble a line on a piece of paper,
maybe a stanza too—for future reference.
I may use none of them any time soon,
as the lines and stanzas that have gotten backed up

can attest to—orphans with a home
and a hope that one day I will employ them.
I notice a woman in a motorized wheelchair,
her dog keeping pace, stepping quite elegantly.



   THE WORLD WILL SURELY END


while I’m finishing a poem,
the last line smoothed in like butter
on toast.
The day won’t be glorious,
but it will be sweet,
the sun out
and just a nip of chill in the air.
I’ll be pulled
out the window, sucked
up into the clouds and going from there,
joining so many others,
what traffic!
I often wondered where we would ultimately
wind up, such dreams I had.
And now
I’ll know, I’ll know if any of them were true.

Daniel N. Birnbaum

Buenos Aires: Last Entry
 

Flying over her casa muy grande at one a.m. the rough sea of roof heaves.
Shingles rattle & twist. Blackened windows battle the gabled main.

Chimneys shoot into air, flip, & corkscrew-dive off the mountainous manse’s 
darkened cliffs. Then afterwards we run through the neighborhood, sit 

under low-hanging boughs of old tilo tree, take food to children of hunger 
silhouetted against the drizzled monument as white mastiffs dig up the obscure

moon. In her father’s shadowy study, we pitchfuck each other like footballs 
onto red cushions. We touch & pull close every glistening object. & taste it. 

Nobody had any concept of what we were up to. Till self-deceived state 
machines stormwashed our fiction into the gutter, ravaging infinity inside us.

Whatever power she plugged into I received through her gaze. I’ve been left behind 
to sketch mis alucinaciones. Abandoned with nothing but this sputtering lamp. 



Eric D. Goodman

Rug Pull


He had faith in the project,
but didn’t know what the project did.
 
The fundamentals were strong,
though not clearly defined.

The interest rate was out of this world,
not to mention the referral program

and the social media community
buzzed with positivity.

But the project’s white paper did not include
a timetable indicating when, exactly,
the rug would be pulled. 

Howie Good

At the Circus

I found myself stranded without a map or compass, a weekend sailor shipwrecked in the middle of history, no place anyone would choose on their own to go, home to shit talkers, freaks, depressives, religious nuts, and sociopaths, including one with a special  interest in Kafka and his twice broken engagement to Felice and another who took my phone and all my money and then, as if we had been intimate, shared with me a sort of postcoital cigarette and the secret of how clowns get inside very small cars in very large numbers.



True History

It feels a lot like a Monday, faces on the street and at the office twisted in a grimace. The moment you step away everything changes. People scream, “Hitler should come back and gas you!” Your true history is scratched out, replaced by libels. Accused of aiding and abetting morbid introspection, you’re forced not only to walk on your knees, but also to wear a crown of thorns in public for easy identification. Some of those watching will be turned by government decree into superhumans, others into lamp shades. A licensed therapist assures those in need of assurance that it’ll be alright either way. 



ARS POETICA

If you write a poem

And no one publishes it,

Does it make a sound?


Robin Wright

The Matriarch’s Funeral
 
All gather, pull respect from pockets,
hold warmth of memories
to our cheeks: Picnics peppered
with baseball games and playgrounds.
Adults playing Spades in the shade.
 
Stitches of blood link generations
in this quilt. We nod when words
might tear holes in fabric.
I forgo the chance to ask
for the money you owe.
You fail to remind our brother
he wrecked your Wrangler.
 
A single thread may loosen
over time. Some stay tight
and straight. Others break.
Our cousin staggers into the church,
rehab a distant memory for all.
Our aunt overdosed long ago.
 
As we leave the cemetery,
moods melt from sadness to resentment.
Pendulum swings—
quilt continues to fray and fade.

Steven Bruce

Here’s What Happened

One blue morning
recovering from surgery
on a torn anterior cruciate ligament

with my leg bound in a cast
from shin to bollocks,

I see, from my window,
the local drunk muscling
through blustery winds.

In his tattooed paw,
he grips a neon
blue carrier bag bulging
with a two-litre bottle
of cheap cider.

It swings past his knees
and splits.

His blue bottle bounces
and rolls off the kerb.

He stoops to pick
it up,
and wooah,
over he goes
in slow motion.

He struggles
with a blurry equilibrium
against assaulting winds

as a white car
halts beside him.

This couple in shining armour
rush to help before noticing
he’s a dastardly drunkard.

They recoil in terror
as his piss
darkens the crotch
of his light blue
jeans.

They leap back
into the comfort
of their white car
and gallop away
into the distant
sunrise,

leaving our hero
stranded
on the battleground.

But for him
this war
is far from over.

The old boy
musters up
the strength
to scoop up
his cider.

He rises
with potency
and carries his blue
bottle like Achilles
carried Patroclus.

And our bibulous hero
marches forth victorious,
despite the violent elements,
up an empty road.

And I think,

everyone wants to be a hero
until there’s a slight chance
of getting a drunk’s piss
on them.

Ian Copestick

Do You Ever?


Do you ever walk
around your local
streets, and feel as
if you don't feel
right?
You don't fit in?

As if life is a mystery
that you just can't
crack?

I know that feeling
only too well.

Well, I'm here to
give you some
good news.

As you get older,
you learn how to
hide it.

You don't get over
it, but you learn to
live with it.