Livio Farallo

four voices at armageddon

coyote breaths are in

the sewers – scrambled

from plains

of burning kisses,

reticent

and

hairy. the

dress comes down

her

legs as far as the sky and

the

sky has mastered

animal sounds and made

scorpions dance

to keep from sleeping

in the sand:

to keep their

venom ready

as a fire hose: to

float

on the egg masses of frogs

who’ve hopped away

after

clutching together for days.



i asked

the waitress about boiling leather shoes

when trees

are stripped of color and

too

rooted to fly. i

asked

her about spinning toys that

keep no one happy

and lead soldiers

that warp and poison

small minds but,

she patted my hand

and crawled away.



“goddamnit.

the killing is so perfunctory it’s

impossible

not to wet the bed. turn on

the goddamn tv.

mute the sounds in the kitchen

and

i’ll eat

like a hurricane.

dogs are

tasting

better

every

day

without much cooking.

and the

trees

sag leafless

in the wettest sun.

save some of that

cement for your house.

pile it.

and goddamnit, don’t

talk.”



minutes are stagnant

like stained glass

though they seem to mean

so much that dust

collected in the corner

is simply glue that won’t

brake movement anymore:

a religion without a story:

a crystal ball turned to

salt on a bird’s tail.

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