PILGRIMAGE
1.
I always roll an American flag because I AM an armed convoy. I’m young (not that young) and these people aren’t my friends and they’re not sexy and I could never love you. The evening starts at Neurolux, support the local death metal band, and bond with the people cruel fate has forced on you. Later, potsmokings and drinks in the private after-party of the Northend Boise. I don’t like this band, it don’t matter who’s playing the accordion. “Get this hipster shit off the stereo, no! I don’t care about your fucking records!” What stops me from firing off a shot in this party, ending the night by turning their puff-puff-pass and their poetry-slam into ptsd for everybody - the gift that keeps on giving - a horror untreated for years, and then spilled out on the floors of 12-step groups, a truth as dead as you, and how will you live then? The only way is to search the world and find Jesus.
I found Jesus artificial; unsatisfying, unhistorical, alkaline and unmythological in the way those Bible pages stink, like the back-damn-rooms of the church stink; it stinks of not being true, not true enough to save you, despite the rows of rooms standing at the ready to tell you the Greatest Story Ever Told. Heaven is exclusive as the hipster roll-call, a gated community of do’s and don’ts, where they take and you beg, of aristocratic wills and wont’s in the mirrorlike-death of privileged certainty. Once I broke in, drunk, and slept it off on the hard sunday school floor. Alcohol was always the bumpy ride, not far enough to the other side of a nightmare where things are better, where I’m not just the angry loser I try so hard not to be.
My Mom loves Jesus, my Grandma too, everyone except people like me love Jesus - and there’s so few think he’s a sissy-ass, judgmental, effete little perfect-son my family never had. He don’t like rock n’ roll, dirty words, booze or cigarettes. Jesus goes out and gets a job, and gives money to his mother, informs on his co-worker, squashes the union and tries to be friends with the manager. Truth is, nobody really likes that little motherfucker, though he makes them nervous - just a little down the dial from being scared, because he’ll tell his daddy on you too… That motherfucker never masturbates, never talks back, comes in on time, never fails to count his blessings or remember his place, and he calls the cops if you make too much noise. No-one takes this personal of course, because he died for your fucking sins and he won’t never let you fucking forget it.
But not me. I ain’t no soldier in the army of the Lord. I was a shitty soldier. I was never good at doing what I’m told, cutting my hair, and bringing in the fucking sheaves. The magick is used on you, you may never use it unless you are a sorcerer. They have a system where you are always wrong: you are lying, but they are speaking in faith - you are drunken, but they are in the spirit - you are talking to yourself, but they are praying - you’re a faithless unbeliever, but they legitimately have doubts - you won’t give it up, will you?, but they hold steady in the faith - you cannot be reached, but they will not be moved - you are drowning, but they are baptizing. Until one evening you walk in to the sizeable middle of their intervention – it’s their attempt to enter the kingdom. Mine is to wait for temptation to happen – no, to court it, train for it, and be ready when the diabolical calls…
2.
It was a sunshiny day – I don’t recall whose money it was, prolly not mine. Just enough to buy some booze, maybe some beers and they go down easy – easy enough and you go down swingin’ – erase your girlfriend’s worried face and the whispered prayers of your Momma. Maybe you’re never going home again, half a world away I hope they’re worried I’m carried away my addiction is affecting you in the following ways. I’ll be home by Thanksgiving, maybe even my birthday. The only reason to be afraid is what if no-one cares. The only power is – will I step off the Greyhound again in this town and see the sun? This Generational Sin is my magic, my spell is watch me destroy myself: first a little, then a lot...
So, I plunge into life – I fall in love with the world! When I tried to leave my smalltown in the late 80’s (until the mid-90’s), my preferred mode of travel was either the Greyhound or the speedbinge - I didn’t let it stop me. Get me a headstart on the Holy Ghost - let the moment/situation/lover/drug take me to bed and fuck me, stroke my fur first the right way then the wrong way and then duck me. Move out when I have to go to work. Go and find another me, a more successful me - one without failure in his eyes. One with more options and less lies, more effective tries. Why did my mid-80’s start all Night Ranger, all “Come on!” - all rights and no wrong as I escape my smalltown. When does the optimism turn to death-metal? - “Lift Me Up” quickly turns into “Burn it Down!” and so you do…
The bus arrives deliberately, slowly. The heartbreak is a lowly funeral march as I lose out on another dream I may never really try again. Heartbroken, left to bake in the sun, or freeze. And it spits you out to swim against the riptide of your lonely mediocrity. Dishwashing, floor-mopping, prep-cooking, factory floor, truckwash, tire-shop, bussing dishes, working graveyard, lurking at Denny’s in the dark, or Burger King, MacDonalds, Carl’s Jr. The bills will always have to be paid, and you can never do it on the dayshift. The sins of the Father fall down on the Sun and burn into your skin your own damnation, soon to come - but do it on your own time, cause time is money.
Orman Day
Hitchin’ and Hoppin’ Blues If you believe in prophecies of astrological stars, you’ll know why Neal Cassady and me roamed near and far, refusin’ to be conformin’, bored, fenced in. Our February births twenty years apart blessed us, cursed us with Aquarius in our Sun, Mercury, Venus, makin’ us freedom-lovin’, proselytizin’, playful, inventin’, rebellious against stupid rules, cool, stubborn, amoral, crazy actin’, knowledge hungerin’, not a mushy type bringin’ marigolds, disgusted with injustice, bureaucrat mistrustin’, wanderlustin’. Were born bouncin’ like joeys in the pouch of kangaroos, awakened by the lullaby of the hitchin’ and hoppin’ blues. Teenaged years in California, read Kerouac’s “On the Road,” the beatnik bible idolizin’ Dean the Holy Goof mad to live, mad to talk, mad to be saved, read about Cody in “Big Sur,” “Desolation Angels.” Didn’t know Neal was Dean and Cody, who made me dream of boxcars, Vee Dub buses wildly painted, oasis-like truckstops, highways windin’ toward the horizon. When I was scrawlin’ verses to the hitchin’ and hoppin’ blues, Neal quenched his beery thirst, added, “The time has come, everybody lie down so you won't get hurt when the sun bursts.” February 3, ’68, two days ’fore Burroughs turned fifty-four, five days ’fore Neal’s forty-second birthday, nine days ’fore I was twenty-two. After a party that night, in cold rain, groggy from downers, Neal shuffled toward his Mexican abode until he slumbered on wet earth in jeans, T-shirt, no blanket. That same night in an L.A. depot, my two younger sisters and I boarded a Dog...a sighin’ Greyhound bus...keepin’ our plan to hitch to Maine a secret from Mom and Dad. February 4, Burroughs’ common law wife Joan Vollmer, would’ve celebrated her birth if she wasn’t shot dead in ’51, felled by a bullet fired by Burroughs imitatin’ William Tell. That morn Neal died from exposure, kidney failure, overdose. In Arizona, I smooched with a pen pal named Pixie, days ’fore my sisters and I ditched the Dog, stuck out our thumbs. That odyssey widened my wanderlust, prepared me to hitch in lofty Tibet, the vast Outback, the South African veldt. When I’d idle on a roadside, I’d smile, amuse myself by humming the hitchin’ and hoppin’ blues. The next winter, seekin’ notes to write unpublished novels, dropped into skid row, two bucks and extra jockeys stuffed in my jacket. Bunked in a mission, earned change pickin’ carrots, met some buddies, hiked to a hobo jungle, chewed peppery Mulligan stew ladled from a charred can, hopped onto the first of the racketin’ freight trains rollin’ me to the boozy, jazzy, bead-tossin’ madness of Bourbon Street. Not wantin’ to be trapped, didn’t slide the door shut against the cold, so crammed newspapers in my clothes, walked in circles on the undulatin’ floor, wigglin’ my toes in sole-worn shoes, stompin’ to the hitchin’ and hoppin’ blues. Thumbin’ and rail ridin’ are part of my distant past, but I’ve got a backpack full of funny stories to recall, regale, so I’d like to meet Neal in a diner, buy cups of espresso, stir our memories sharin’ golden reefer from Acapulco, banter and guffaw about the histrionics of our histories. My Sundays as a stringy Methodist acolyte lightin’ candles, his as an altar boy carryin’ a cross, ringin’ a consecration bell. Mission grub (split bean soup, stale bread, weak java), ear-bangings from hell-spittin’ preachers, smelly dorms rattled by tubercular coughin’, moanin’, mother-seekin’ sobs in the dreary skid rows of his Denver, my downtown L.A. The flower-powered hippie scene in good-vibin’ Frisco: psychedelic light shows, bedazzlin’ twirlin’ dancers, acid rock bands entrancin’ at the Fillmore and Avalon, crashin’ at the Diggers’ crowded pad in the crazed Haight. Drivers who gave us lifts, bought us fries at greasy spoons, railroad bulls chasin’ us through clamorous freight yards. Lonely chicks who beckoned us to be their vagabond lovers; we snuck away without wakin’ them ’neath their bedcovers. My Mardi Gras night in the noxious New Orleans jail for revilin’ a cop on Canal, my FBI arrest and probation for resistin’ the draft, his years encaged for car theft, cannabis. Our Southern Pacific jobs in California: his as a brakeman, conductor, mine as a clumsy signalman, half-baked carpenter. After we confessed all our felonies and philanderings, we’d drift into silence, feelin’ our feet itchin’ to amble toward different dusty roads and other destinies. Then we’d move our heads, tap our scuffed shoes, groovin’, diggin’, trippin’, snappin’ our fingers to the free-floatin’, hopped-up, sax-riffin’, horn-tootlin’, piano-plinkin’, bongo-beatin’ bebop of the hitchin’ and hoppin’ blues.
Alan Catlin
Attrition They are into front porch motorcycle maintenance, greased monkeys, Pink Floyd concept albums, Mad Dog 20 20, heavy leather, teenage girls, rolling monster joints one handed, spooking the mailman, worshipping the devil, modifying things with tire irons, cutting up with census, shoving policemen through picture windows; one by one, over the years, they kill themselves off. The Family Reunion begins outside, rows of picnic tables pushed together, steaming red hot grilles, quick fried foods, quarter kegs of cheap domestic beer. The children hit hard balls over the fence, off neighboring houses, the women are yelling: "All this infernal noise must stop!" But the children are into screaming games, tying the youngest wrists together: Let's see how far we can stretch them behind his back. The men are playing Black Jack, five dollars a hit, chugging beer, ignoring the women, saying, "We are doing something, we're playing cards. They're kids, they're having fun." Every year the cops are called to break up their men fighting with broken beer bottles, rusting church keys, gravity knives; after the fighting, they cut down the forgotten children hanging from the trees.
Ian Copestick
I Wish I wish I could go back in time, to when my rickety self esteem didn't come from strangers liking my poems, but from knowing that I'd done right by a woman I loved, really loved, and who had loved me for 18 long years. But, unfortunately we can't turn back time. I guess that a lot of people have regrets, and wish that they could do things differently. But, the constant backwards, and forwards of time would cause that much paradoxical activity that the world would implode. Still, I wish. As most of us must.
Stephen Jarrell Williams
"Stuck-Up" Many of them don't know when they're fooling themselves thinking they're more than they are so full of it staring in the mirror imagining people wanting to be like them strutting on the street along the beach taking a bow on the stage of vanity do they realize the monster inside the blind ego ass in the air smelling like they're too good to wipe what a fall is coming in broad daylight in front of everyone a nightmare they cannot awake from.
Alan Catlin
Cultural Diversity She herds six kids ranging in age from a few months to maybe eight years old, into CVS store. One kid is half Asian, two others different shades of black, one appears mostly white but vaguely Hispanic, and a couple who could only be described as mutts. All of them hers. Is paying cash, in small change, pennies, nickels and dimes, for Home Pregnancy Kit. “Don’t know why I bother.” She says, “I know how this ends.”
Howie Good
Night Thoughts I can’t bring myself to read the news anymore or even watch it on TV. There are just so many unidentified dead men with my face, just so many couples in their late thirties having trouble making a baby. Meanwhile, a small band of starving deer stagger out of the snowbound woods in search of help, but help has been repealed. Like the Oxford comma or the use of voiceover in film, the whole thing is controversial. And although it’s day, night thoughts are stuck in my head, and the only immediate alternative may be to cut my head off.
Ian Copestick
A Brave Face I feel so fucking tired, I've been putting on a brave face for so fucking long. My life has stalled, I wait every day til 4 'O' Clock, or so, when I start drinking. That's all I do, wait, and drink. I don't know what to do. No way am I going to listen to a smug, sexless counsellor trying to tell me what I should be doing with my life. Those idiots don't know a thing about me, or my life, they never, ever will. They've probably smoked a few spliffs at University, have they known smack withdrawal ? Have they known the alkies feeling of needing an eye opener as soon as they wake up ? Have they fuck ! Phonies ! Phonies, and fakes ! I'll die before I'll prostate myself before any of those middle class fakers. I have tried, believe me I've tried. They were useless, worse than useless. Thy haven't got a fuckin' Scooby. I felt worse after their kind of false concern, and total bullshit idea of empathy. I feel so fucking tired, but nobody knows me better than me. I'll sort it out, myself, and if I don't ? Well, it's alright Ma, it's life, and life only.
Daniel S. Irwin
Crazy-eyes The last time I saw Crazy-eyes Doris, She was on the top of the cab of a mac truck Wailing away with a # 4 heavy duty tie down chain Busting out windows trying to get at the driver. How she held on while it sped down the highway in A frantic defensive serpentine course I have no idea. Her topside skill was like a bull rider on a raging beast. An epic showing of such determination, such tenacity. The trucker’s CB echoed with pleadings for help, Frantic prayers to the Big Dispatcher in the sky. And still, Crazy-eyes Doris continued in her fury As the semi continued on its terror ridden path. Those that, in awe, witnessed this exhibition Still tell the tale to this day. And agree that One must not, under any circumstance, skip out On their tab at Ron’s Wayside Truck Stop Diner. Especially since Ron has the good Samaritan policy, Good man that he is, of hiring the recently released (or, wandered over) from the local mental initiation. Booze Talk His speech was a bit slurred And he drooled a little. “Yo”, he said, “There’s more Than one way to skin a cat. But who wants a skinless cat? Body’d be all wet and tacky, Guts probably hangin’ out. And flies, yeah, buncha flies.” Words of wisdom. He’s nuts. Only time he talks is when He gets liquored up or high. He used to be the ‘cool cat’, Jazz man, fast car, hot babes, Stylish threads, pompadour. Used to really wail on that sax. Used to, now, it’s all ‘used to’. Nothin’ dramatic, just old age Slowly slipped up on him And he wasn’t ready for it. So old, alone, neglected, He spends his days and nights Boozed up or high talkin’ Crazy stuff when he does talk. We let him hang around. Yeah, it’s sad. But The really Sad part is that, someday, This might be me.
Daniel Klawitter
Listening to Bulerias de la Nina Mora The most important thing in flamenco is passion. —Sara Baras You could swear The guitarist has birds for hands: The flashing fingers take flight Across the fretboard Before her warbling wail Breaks in— A lamentation of need As urgent as any animal. The guttural cry Is spectacular And then the rhythmic claps As Rodrigo slaps the strings. You are no gypsy, You thought yourself inflammable. But now your blood begins to sing Stronger than caffeine in coffee As you stifle a strangled shout— Suddenly remembering That the soul is a burning coal No amount of heel stomps Can stamp out.