Randall K. Rogers

“Relative Deprivation”

 

 

It didn’t happen in the cities because the workers were all gone. They’d been moved to the countryside and out of the city so it was more difficult for them to get together and agitate. Or their jobs had been shipped overseas and they had no work. Then, at first they congregated in the cities with no jobs, or they worked too low paying minimum wage jobs, at Wal-mart or other retail outlets, or in the fast food industry or other service industry where they couldn’t make enough to get beyond SNAP and TANF benefits. Life for them, their families and relations in the cities just wasn’t good. They could be happy on very little no matter how much they earned, but the social control agencies, the police especially, just wouldn’t let them be. Apparently the powers that be considered the underclass too dangerous or unsightly to be anything but obsequious servants or locked up. And the the prison criminal justice system industry was booming. Nearly everything those unable to achieve a living wage did in the cities for enjoyment was illegal or made illegal. And rather than change their ways or adapt to a deck increasingly stacked against them the underemployed chose to go rural en mass. In this manner a great majority of the urban poor sought to escape the poverty, incarceration, death and decay of the inner city. The social control agencies’ idea of a good underclass was a profitably locked up one, and this few people were willing to bank on as a viable future.

 

The great exodus of late 2016 had begun.

 

Many of them walked. Others drove what they could or hitched rides anyway they could. Far and wide they ranged arriving in small towns and rural areas across America. The smaller the population the better. The more remote the better. To all states and all counties they came; black, white, Hispanic, Asian, they came to rural America because no small town would refuse them. This was America after all.

 

Jerzy Matusky was fifty-four. He was born in Minneapolis, Minnesota, in 1961. In the early 1960s his family moved to South Dakota where his father took a job in the brokerage industry. Except for periods living in the Twin Cities of Minneapolis-St. Paul Jerzy’s life had been spent in South Dakota. He had matriculated in South Dakota schools, had worked South Dakota jobs, dated South Dakota women, often Native American “Sioux” women. Except for seventeen years spent at various locations teaching overseas, Jerzy was as Dakotan as they come. He never married, cohabiting with various “foreign” women in the countries and cities in which he lived and worked and moving from country to country, institution to institution often enough that no woman ever captured his heart or home for life. It was not that he didn’t love. It was that his peripatetic ways found him continually leaving the country in which his love interest lived, always searching for more experience, greater knowledge, a wider audience until his failing health overseas finally sent him home to South Dakota seemingly, at age fifty-four, for good. Whatever he hoped to do, whatever voice or activity he wished to add to his home nation, his home state and the world, he would do so from South Dakota – and more specifically – from the city of Rapid City, South Dakota, at that, at the foothills of the Black Hills. And in doing so he was well suited to witness and interact with the diaspora of 2016.

 

Rapid City in 2016 was a city of some 62,487 souls on the western edge of South Dakota near the Wyoming and Montana borders. Its major feature was that it fronted the historically and economically important Black Hills of South Dakota, which served as an area for tourism, outdoor recreation, mining and logging boasting the highest peak (Harney Peak) east of the Rocky Mountains until the Himalayas. Indeed the geologic formation of the Black Hills is the oldest mountainous area in the world having

arisen over a span of some 100,000 years long before the rise of the great mountainous areas of the Himalayas, the Rocky Mountains, the European Alps, and the Andes cordillera of Central and South America. As the oldest extant mountains of the world the Black Hills have been worn down by time, they are accessible, not too high, and the mineral wealth they offer is close to the surface and easily mined. The Hill’s mineral wealth, and the high plains grazing lands that surround the Hills, make the area important economically for gold, silver, and uranium mining along with cattle and beef production, as well as logging and tourism which flourish in the region.

 

Jerzy was about five-six, one hundred fifty-five pounds. He’d had a lot of education, and read books all the time, but he considered himself at core a common man and only put on educational airs if he had to. He was good-looking cute and most of the women secretly liked him. Jerzy knew that soon with this many poor city folk moving in to the Rapid City area and so fierce a response by local law enforcement something was bound to occur.

 

It began on a Saturday around nine am. when Jerzy awoke. He climbed out of bed and immediately heard the cry.

 

“Good God! They’re roasting old man Johnson up on Cedar Ridge!” It was the Crowd. The Great Horde, ravaging society, once again. Oh it wasn’t a new notion. Since the dawn of the Fertile Crescent it appears the haves and the have-nots have been the crux of the problem. What is less certain is how the apparent circulation of elites would deal with this new aspect of the problem.

 

Old Man Johnson owned much of the Valley. Rapid Valley, a subsection of Rapid City. A group of recent migrants was roasting him, over an open pit fire, on a tree-less hill near a large wooden old-style three story home and an abandoned government missile site. His wife and children, his extended family as a whole, all naked, cowed and beaten, kneeled by. The crowd’s leaders took turns cutting thick slabs of “meat” from Old Man Johnson’s body and throwing it about. They force fed it to his kneeling naked family beating them mercilessly.

 

The crowd was formed of an underclass whom had discovered the potential of their power. Mostly brown, Native or young uneducated whites, the leaders were older, street and protest savvy and educated. They were gamblers, alcoholics, and drug addicts. From all parts of the nation and somewhat from the world, they came by every route imaginable to Rapid City, South Dakota, USA. They had heard it was scarcely populated, scarcely policed, and beautiful. In the second aspect they originally thought wrong. That a strong, noble-handsome Native American “Red Indian” people lived there, was a plus.

 

And they found the city and area weak and appealing. With the police quickly overwhelmed by the rapid influx of the migrants anarchy and violence after mere weeks reigned supreme. Initially it began in the smaller cities, or what was left of them, and in the rural areas on the farms.

 

Jerzy was walking, walking to freedom. He was what you might call a rapscallion. He was high-minded but definitely low-brow. For one thing, he was, most certainly, an opportunist. All his friends throughout his life all said so. After he’d lived so long in so many different locations, and done so very many different things, currently, in spite of his health issues he hadn’t given up on things, yet. He still loved rape, pillage, and murder, like many of his kind. He was, to put it mildly, a history fanatic. The current situation reminded him of conditions and occurrences in 14th century France.

 

That’s the 1300s, a time of swords and lances and knights in total body armor. Nobles leading private mercenary armies vaguely loyal to both king and church were the norm in France and England then engaged in the France versus England Hundred Years War. It was the idea of a poor people’s rebellion that lay here, in the fourteenth century, in the 1300s, and that notion was bound up with what has come down to history as the “jacquerie”.

 

The jacquerie was a fourteenth century (1300s) peasant uprising in France. Directed against the Second Estate – the noble class – the uprising gathered adherents spreading from fiefdom to fiefdom, area to area, castle to castle. Serfs rising up against and attacking their overlords; tax collectors, judges, court officials, landowning nobles. Killing them in increasingly gruesome and cruel ways.

 

By late 2016 the 14th century jacquerie had come to South Dakota.

 

Old Man Johnson’s granddaughter at first refused her tormentor’s command. She refused to take part in the consumption of her roasting grandfather. Her kneeling, naked refusal resulted in the surprised expelling of her sister Helena’s brains. One of the leaders fired into her sister and the crowd roared its approval. Sexy defiant granddaughter ate what she was offered after that, visibly swallowing obscene roasted hunks of her steaming hot smoking grandfather.

 

Jerzy, the opportunist, arrived upon the scene. He surveyed the landscape. He saw the contortions the naked beaten Johnsons were being forced to endure. He came close to the kneeling naked clans-folk, clans-folk now being beaten, killed, their gullets rapidly filling with force-fed roast Grandpa. Such a fond family communion for the exploiters!

 

Defiant granddaughter belched loudly. The resultant burp-breath air became foul; it was a stench of sloppy fellatio and repeated helpings of freshly swallowed sperm. It emanated from distended belly engorged with the sizzling hot remains of freshly roasted bourgeois in the form of the cooked flesh of her charred medium well-done grandfather. When Jerzy came upon her she was being forced by the leaders to swallow her grandfather’s cooked-in-his-head eyeballs. Her sister’s bullet ravaged cranium oozed blood and brains dead beside her.

 

The air sweet with fresh blood Jerzy grabbed her naked head and twisted. Her throat bulged, she gasped for air, struggled and died. He then was shot by one of the leaders. Jerzy grabbed the weapon of a nearby guard and turned it first on his attackers cutting them down precision-like, in rapid succession. Soon, due to his methodical expertise, he stood alone as the sole armed survivor in the immediate vicinity of capitalist Johnson’s naked, kneeling, abused, bloody,dead and dying wealthy family. Those able to see looked to him to determine what would occur next. The crowd stopped partying and strained to catch sight of the gun play carnage that had just occurred. The air reeked of freshly spilled blood and misery.

 

Jerzy discarded his weapon. He grabbed another. He loomed over the whimpering remnants of the bloody white-skinned extended Johnson family. They had lived like and were royalty living off the fruits of others’ labor. Now, like the dukes, barons and baronets, lords and landowners of the 1300s, of the 14th century, during the jacquerie uprising of the poor of that era, the uprising of the serfs, in 2016 a similar owning elite, the capitalist class, the owners and propertied, the 1%, the exploiters and penalizers, were now like their 14th century counterparts getting their just desserts. And it tore at Jerzy’s heart that this was occurring. He leveled his new weapon at those remaining of the disgraced Johnson family.

 

“Die Motherfuckers!” he cried as he emptied his weapon into the remaining naked family members.

The world-wide revolt of the many have-nots against the so very few haves could not now be stopped. It had supremely enveloped the land, and nothing could now stop it.

 

 

Finis 5/27/2016

 

 

Notes: Tuchman, Barbara W., “A Distant Mirror; Life in the 14th Century. 1978. New York: Alfred Knopf Company.

 

Steven Storrie

I WANT ANOTHER ONE ON THE PORCH WHERE WE USED TO FIGHT AS CHILDREN

 

You said my last letter

 

Sent you in to labour

 

That the flood and crash

 

Of memories and emotions

 

Made your waters break

 

Causing you to drop the paper

 

My words lying wet and crumpled

 

Ink running

 

In a puddle on the floor

 

 

 

I sit alone and consider it silently

 

I’m pleased

 

I think

 

Secretly moved

 

My words have sometimes been

 

responsible for making babies

 

But this is the first time

 

They’ve ever brought

 

one out

 

into the world

 

 

 

Hi Esme

 

Pleased to meet you

 

Your Momma hates me and

 

It only gets weirder from here

 

 

CHESTFUL OF DIESEL

I like the scent of the older women

When they sit near me on the bus

Not real old

Like

45

Or something

They smell of money

Luxury

and boredom

it makes me think of

huge green gardens

well manicured hedges

flowers all around

of great big bookshelves

filled with dust and shitty books

of fresh air and comfort

 

I wonder what they think of

When they smell my scent

A chest full of diesel

The belching’s of a tan and broken heart

 

They probably think of whiskey

And of fucking

Of failure

And seedy little bars

 

That’s ok

I think

I can live with that

Lies and misplaced judgement

Never really caused me any harm

 

It was the truth

that always

did me

in.

 

 

JENNY, YOU’RE EXCUSED

 

You entered my life like

 

a rock through glass

 

wearing nothing but tiny

 

summer dresses and

 

a clean pair of heels

 

 

 

You left my life like

 

Wet leaves down a clogged drain

 

Washed away in the storm floods

 

Looking far less prettier

 

Than when you first came

 

Crisp

 

Breathless

 

Aglow

 

The promise of something better

 

Dripping from your tongue

 

 

 

The bit in the middle is called life

 

Don’t feel bad

 

It gets everybody

 

In the end.

 

Jonathan Beale

Poem 1

 

RAW

 

For Nick Cave, Joe Strummer, Ian Curtis, Jim Reid and all those others

 

In this bleak charm of youth –

Those lightning bolts.

Some strange bird will sing.

The antidote to the:

Natural order – of – things.

In the world view a Chernobyl grows.

And grows blistering and pricking

In soothing mid-winter- wind – chill – factor

There is the curse that will ensnare

To trip and strangulate

The idealist dream;

The seed is planted,

In the night’s long desert….

Smoke climbs toward to window

Pen dancing in every direction.

Then!  The voice creeps out

Rising about the flight of birds

Growing in the basest sweat

Of they whose chords who’ve been struck

As they ‘dance dance

dance dance dance to the radio.’

And on, a sea over lapping

Waves and currents

Raising some to immeasurable heights

And others drown in the day’s long gutter.

Strummer in his arrogant stance

Echoing put ‘I fought the law’

On and up to the centre of city

And then the revelation:

“JUST….”

 

      ‘Let Love In’*

 

The centre of the city

Being walking through

The sweat after the gig

“Remember, you were alive”

Those raw voices reached

Out drew us in

That smell of sweat….

And passed on

Tattooing the memory

Tattooing the soul.

 

*The album by Nick Cave and The Bad Seeds

 

 

Poem 2

 

Lost alone at night

 

I found myself in the accident of dressing

That cats and dogs never quite got.

I found myself taking the train

From the diaconal Paddington Station

 

Finding hollow space – invisible pressure

On my head – all ideas extricated

Face up: face out against the window –

That chill air, that glass holds so well.

 

 

Poem 3

 

Night in the park among the sculptures

 

After the wine and coffee

And talk…night drop curtained with cold air.

We back wondered along through the freezing night air

Although this apparently still scene

Suddenly became alive.

They came alive beneath the moonlight

We passing along: watching.

their eyes adhered to us

Their defiance in abstraction

The nomological ignored –

I wanted to talk to them

They wanted to play some game

Hide and seek perhaps.

In their nocturnal life

Some worlds never collide

As they must not

 

 

 

Grant Tarbard

Pamplona Gut

 

 

The running of the bulls

down gullets dusted with olive oil,

Hemingway chews hungrily

on the tail of the slain creature.

Plenty of garlic, a dash of Navarra grape,

the colour of Picasso’s dreams.

 

 

Merry-go-round

 

 

The birds circle on

a Ferris wheel in a

polysyllabic sky

 

In miniature, they

look like great eagles forming

knitting pattern pearls

 

Light patches of white

sky, seeing is believing,

enthral the storm clouds

 

Turner seas in swells,

God is moving furniture,

all is lost it seems

 

The Sun is a ghost

making shadow puppets

out of burnt arrows

 

 

Peritoneal

 

 

I have sewn a safety loop into my

flesh to be used for fastening hinges

inside my blood cells. The tubes, feather dry,

sugar my rose-hip tea, the milk syringe

howls into the clunking machine midnight.

Might I go outside in the bone orchard?

Young jowl roots coloured yellow, the old white

imagination, slugs on the morbid

nettles. A killer on the honeysuckle

noxious in the healing of the limbs, an

abattoir staring up at a petal

rasping a last breath before I guzzle

divorce, swallow divergence and red wine.

Severance, sable dust is my bloodline.

 

Michael Marrotti

“Contemporary Poetry”

It’s a digital
playground
of unworthy
abstract
artists

Desperate
smiles and
poetry that
owns no merit

Who can write
in volume
the most
forgettable
amount of
poems

It’s a race
to be first
and nobody
is watching

The audience is
the competition
Both are stuck
on the same stanza

Write your boring
little heart out
Write like you
actually have
something to say

If your writing
meets the standards
of contemporary
poetry

You’ll be awarded
a friend request
on Facebook
by some other
guy with an
equally small penis
waiting to praise
your boring poetry
in the hopes that
you’ll do the same

© Michael Marrotti

“A Critical Self Analysis”

If I were a little
more dishonest
Smiling when I
didn’t mean it
Offering praise
instead of candor
I’d have more friends

If my penis had
a few more inches
Got off sooner
than later and
lowered it standards
I’d have more lovers

If my dealer would
lower his prices
Picked up the phone
when I wanted
and didn’t behave
like a green eyed
bastard
I’d be less unstable

If these words
weren’t so fluent
Profound and
proactive
Worthwhile and
clever
By the standards
of the small press
My book of poems
would’ve been
published

© Michael Marrotti

“The Banality Of Poetry”

If each platitude
was met with a fist
This world
of monotony
would be
bestowed
the gift of
originality

If there were
laws against
banality
You’d be
guilty as
charged

If there were
fines and restitution
for each cliche
thing you do or say
Socialism would
flourish and the
trivialities of life
would cease to be

Redundancy
would vanish
and then maybe
just maybe
I’d take the time
out of my schedule
to sit down with you
and hear what it is
you have to say

© Michael Marrotti

 

Dead Dog

Dead Dog

 

Tonight

I opened the Ziploc bag

encasing the cremated remains

of my dead dog.

 

She was the family dog

at first, of course, but

as my siblings and parents aged,

she became my dog.

 

Under the mist

of gray clouds,

I spread the last remnants

of once was my

first love.

 

A black canine

without prejudice,

judgment or malice,

just a mutt

with freedom

allowed to run wild

no matter what

shit she returned

her fur was covered in.

 

In her gray years,

she developed a pinched

nerve in her spine,

providing her with seizures

that voided her bowels

all over me, as I was

always the only one

to hear her yelps for help.

 

I’d watch her stumbling

around the back yard

against the dark night

as she tried to recover,

leading her back with

optimistic white lies.

 

A few weeks later,

my parents put her down.

 

All I have left

is a blurry photo

hours before her

lethal injection,

 

and a yard that is

no longer mine,

but is scattered

with her bone fragments

and ashes embedded

across her final resting place.

 

 

Scribbled by Chris Butler

 

Irsa Ruçi

1. 
No sun, no day
Every day we die a little more
Out of nothing
In each slay of the soul
Strange in our consciousness
While body is desolate in emotions.
Every day we lose a little of ourselves
Under us, beyond wit power
There where the heart places its heartbeat
And merciless where the ideals are violated.
Every day we look in each – other’s mirror
And we are afraid to distinguish our face
From tears
Which in our innocent eyes are left.
Each day we answer to love with indifference
When we are lazy to suffer for our feelings
And depict the imprisoned freedom with hated
That only time can witness its age.
The human is dim united in solitude
In only a handful of ashes
In the oblivion form.
We see the morning like hold backs that the yesterday leave
Till death comes naturally
Nothing can take away your soul.
© Irsa Ruçi    (Translated by Silva Daci)
2. 
Nothing new
My amazement has escaped
From the conscious
Now nothing new happens occurs in this country
Near dreams,
Despite heavy words in content, merciless,
Break the air with the selfishness
Of misunderstanding for the weight they carry.
So, many nights the silence waits there for me
Speaking with heart bits, in darkness songs sound deeper
With a sounding voice between the silence
Giving wings to the spirit to fly in delirium
Winter has no strength to stand, trees will flower again
Still the smell of flowers will fulfil with oxygen
The lungs of nature
Still the rivers will flow again peacefully, unchangeable
But my amazement will amaze me again…
Because in this little country the napping is long
Waking up is fear and happens rarely
More rarely than the eclipse, more often than the longing
Such are illusions and the foolishness!
Poetry is turned in a rite
To keep the breath of my poetic spirit alive
Because I am scared by this little country were nothing happens
I paint the reality between the lines
And hell I cannot avoid it:
In this place where we live more with words, it’s spoken with tears!
© Irsa Ruçi    (Translated by Silva Daci)
3. 
Beyond the stars
You come at me when the world is resting in dreams
You come to become my dream
You come to steal my sleep away
You come to reverse the night in whiteness of heart
You come to envy the stars:
Because to shine for someone on the earth
Is worth more than shining for everyone in the sky
Even more, given that your light in my soul
Never fades away…
You come when the time is afraid to slip by
The halt of the hour- hands wake the heart bit faster
You come with the darkness to give eternal light
You come like pieces of clouds falling in the land
Where my fantasies are sailing
You come and wander in every shelter of my feelings
… Oh God… what vibrant experience when you come
Autumns scent takes my breath away:
Your coming it’s me leaving this reality…
© Irsa Ruçi    (Translated by Silva Daci)

A Letter from the Editors

Hello,
It is I again. How are you? Are you finding this all still fun? Am I? Don’t know for all but yeah why not? Well maybe cancel that “why not?” because I still have sightless eyes that see and if I get to thinking, a little too much you know, oh hell I’m ready to pack it all in and considered what’s lived good enough. I remember what Mom always said as she neared her equinox “you’ll never catch me kicking and screaming”. I’d always think back then whenever she’d say this as she drank and smoked, “Wow, she’s not tethered too tightly to this Earth.”
And she wasn’t. And she died at age sixty-six from a cerebral stroke, brought on by excessive cigarette smoking and alcohol drinking. She was born in 1935. Just think of what she must have seen. Just think of what she must have experienced. During World War II she was a young girl. By 1955 she was elected Queen of the Snows at the St. Paul, Minnesota, Winter Carnival. Married in 1957 by July 20, 1961 she gave birth to me. For the life of me, though I was present at the time, I wonder what that was like? What it must have been like giving birth to my mind? For how else would she continue to experience herself except through me? Or was it the other way round?
Oh Lord Yeah! Lord Yeah, may we ask, how for us to be cool? Lord Yeah say: “Read ‘Beatnik Cowboy’ young-wet-behind-the-ears and look for the new Beatnik Cowboy Press book coming out”.
And we, the editors here at this, well, this “magazine” if you could call it that, have no reason to discount this statement. At least not yet anyways do we harbor quarrelsome doubt but nonetheless we’ll keep you posted on this for the time being.
As for what we do have dig these new and older poets we are discovering. And groove on with your righteousness as it most certainly shall be.
Blessings,
Randall Rogers

Paul Tristram

The Boy With No Manners Broke Your Heart, Really?

So you like bad boys,
do you?
Then why are you crying
and upset
because he’s doing
what bad boys do?
Oh, you don’t want him
to be a bad boy to you
just to everyone else,
a selective bad boy thingy?
You’re pissed
because he keeps going out
with his bad boy friends
(You’re actually saying this?)
Ok, he can go out
with his bad boy friends
but not when you say so?
So you want control?
you want to police him?
You want to be his prison warden?
You’ll be picking out
his clothes for him next,
telling him what to wear each day.
Cutting up his meat in restaurants
and spitting on Kleenex
to wipe his dirty face in public.
That bad boy of yours
needs to get himself safely
away from the likes of you.

© Paul Tristram 2016

She Has A Face Just Like That Donovan

You know, that folk singer
from the 60’s?
I keep waiting for her
to start singing
‘Season Of The Witch’
or something stupid like that.
Apparently she really likes me?
I mean, she’s lovely to talk to,
has a great sense of humour,
knows her single malts
and her interests go way beyond
kittens, cosy nights in
and long, romantic beach walks.
But I can’t fuck that,
it’s just too disconcerting.
I guess I’m just not
‘Mellow Yellow’ enough
to get that image
out of me bonce, mate, innit.

© Paul Tristram 2016

Michael Marrotti

Word’s Of Wisdom

These words
I speak
are charitable
It’s on the house
have a poem on me

These words
I speak
live in the
moment
Time is
precariously
ticking right
on bye

These words
behave
like a slut
off the rag
You can
have it first
I’ll take
sloppy seconds

These words are
like humanity
When you need
them the most
They’ll get up
and leave you