Paul Brookes

Beside Yourself

 

If you could be beside yourself,

grab the ectoplasmic umbilical

and emerge as a space cadet

on the seat beside you,

appear as a stranger who sits

down, invades your space,

 

for whom you politely make space,

smile quickly and absorb

yourself in your phone,

a book, a tablet,

and pray the unknown

 

doesn’t speak to you,

then the realisation,

that all your hesitancy

movement, smile, absorption

has been sharply mirrored

 

by them and you ask yourself,

are they taking the piss,

are they the one who stabbed

your wife, raped your children,

set fire to your home and sat

on the wall outside to see it burn?

 

And see a cord between both of you,

and wonder if you touch it,

would it get their unwanted attention.

How could you cut it and have done

with this uncalled-for connection?

And wish you still had the knife.

 

 

 

Immortality

 

Wish to be a naked mole rat,

a penis with teeth,

 

live for 500 years,

hardly age, remain fit

healthy, robust heartbeat,

strong bones, sharp mind

high fertility, don’t feel pain,

elasticky skin makes me cancer-proof.

 

Wish to be a jellyfish,

sink to ocean floor,

fold in on myself,

regenerate back into a baby.

 

Paul Brookes

Rabbit’s Head Winter

Midwinter is a teenage lad, on

his haunches – dead rabbit head hill,

in one hand, penknife cold in other,

 

his breath icy gust

polishes dry skulls into mirrors,

he catches the blade on the bone

 

scrapes away  fur,

gouges out orbital cavities

back to the bowls,

 

excavates hollows,

that ooze cherry red blood.

 

 

BEATMASTER DROOPEE’S TOP TEN

 

Beatmaster Droopee, real

name Sean, aged 27,

has his own 10, 12 mixing decks,

 

and headphones.

Says you need an ear

 

for rhythm.

Loves Gabba.

 

Single, he has a top ten list

of types of lasses, he wants to fuck.

 

Black,

Asian,

Disabled,

Milf,

Dwarf,

French,

Pensioner,

pigeon toed

unconscious,

dead.

 

Seven ticked so far.

His mate, Micky only has five.

Gives them marks out of ten.

Matt Borczon

Nicaragua 2007

The girl

in Nicaragua

was wearing

blue shorts and

a tee shirt

her face was

made up

like a Geisha

white powder

with thick

red lines

around her eyes

she pushed

a baby carriage

with a doll

in the seat

the people

from her

village said

it took 5

of them to

pry the dead

child from her

hands so they

gave her the doll

to try to

stop her tears

she was not

here for the

medical clinic

we had set up

in the village

she waited in

no line asked

for no help

just walked

among her

people talking

to the ghost

of her dead child

looking for answers

in everyone’s eyes.

 

 

The Comfort

that ship

was bigger

than our

hospital

back home

but on

this ocean

it was

a camel

in the

eye of

a needle

I never

really knew

how huge

the ocean

was until

one morning

a storm

pitched

the ship

so violently

that it

left us

feeling too

sick to

even walk

out to

the helicopter

that took

us into

El Salvador

and the

hospital we

set up there

three of

us puked

out the

back of

the truck

as a

flock of

angry black

buzzards

dropped from

the sky

biting each

other to

see who

got the

biggest

pieces.

John Grochalski

take a bow

 

listening to madonna songs

of all things

which means that i’ve run out

of any and everything to do in this world

like last night how i told my wife

that life is boredom and that death didn’t scare me

which is one hell of a lie to tell

to the person you lay down with at night

and i wasn’t even on but one drink

a little too early for the dramatics of a sunday night

i wonder when i’ll stop this cold madness

stop inflicting such hurt

with little words, with little phrases of gloom

and the madonna keeps playing

as i walk past expired cars and grotesque homes

past old, bloated men playing golf

a song from twenty-two years ago comes on

that i remember bellowing through

the house of my ex-girlfriend

the night i came over to collect my shit

while another girl waited for me at a south side bar

such a low rent don juan i was

throwing my clothes, my books

the poetry manuscript that she hadn’t even read

into a big black garbage bag

all the ephemera of twenty-one months of wasted time

thinking how much better than her i’d been

how much better kept together i was in that final moment

as the ex kept pounding up the stairs

to replay the sappy madonna song

crying and crying and crying

as if it were the end of the world

instead of just getting rid of me

and it seems fitting that i should be subject to it now

still the source of someone’s pain

how discontent has followed me like some plague

i think maybe i should skip the little memory trip

shut the music off and listen

to the subway trains and the hustle of fruit stands

but there’s something soothing

in the song

in madonna’s voice

and the memories have given me

such a fine melancholia for this gray morning

not unlike being alone on the gray-green ocean

in the middle of a soft rain

and when madonna tells me to take a bow

i don’t even have to think

but spin and stop outside a closed down laundry

and dip low

almost to the crack concrete

enlightened like buddha

as if kissing the ground to be alive.

 

 

 

where the spirit shines

and my pride blocks out all the light

 

the cat howls

her death rattle in the morning

for two and a half hours

while i sculpt shitty fictions

and the sun boils outside

like a rotten egg

and now i have these kids

making a huge card for a politician

thanking him for whatever

we thank politicians for these days

and they are drawing

flags and moons and flowers and rockets

and more flags and smiley faces

writing god bless the u.s.a.

all over the thing

while i think about putting the cat down

and killing this novel for the third time

when out of nowhere

she shoves her cell phone in my face

and there is the politician looking back at me

smiling and magical and american

then she asks

her childlike smile as precious as a basket of puppies

why are you so ugly

when he’s so handsome?

and i have an answer for her somewhere

i swear i really do

somewhere deep down in me

where the spirit shines

and my pride blocks out all the light

and i’d say it

if only i could give myself

some cold, hard words

learn to speak the trifling language

of self-preservation

once again.

 

 

Ashley Deweese

1)

I’m looking at you, George Sand

 

Patriarchy sucks.

QuasiFeminism– sucks.

But PANTS suck

the biggest one of all.

The irony of being equal

by dressing in clothes

with designated leg holes

is that now to fuck

I must get at least half-way naked.

The freedom of the bondage

we were told was a skirt

is that it just needs pushed up

over my hips, and I can express

my womanhood

without exposing any more

of my self than my ass.

So for my share of liberation

I will choose to go

pantsless, and fuck panties too-

1) because I hate that stupid word

and 2) ’cause I enjoy the breeze.

 

 

2)

Quandaric

 

I have

a shameful confession:

I watch

humiliation

porn just so I can feel

ENRAGED

at the degradation

of other

women. I’ve yet

to determine

whether it is my anger or

my shame

that is shared

between us that grips

my body and

freezes it

till I rub

the burning out.

 

More research

is needed.

 

Dr. Randall Rogers

Hello,
Really strong people must weaken sometimes to become stronger yet. To not take their strength for granted. Because doubt and second guessing are a part of life. And to not question something, anything, to exhibit blind faith is a recipe for disaster, or an easy life. My atheist friend is jealous of his elderly mother because for her her faith answers the big questions in life and she is secure in her knowledge of where she will go upon death. And she is happy, unruffled, full of the opiate of superstition. And he struggles with the impersonal nature of life, the arbitrariness of life, and the very uncertainty with which his mother does not toil. He is an engineer, trained in the scientific method, she formally unschooled but wily in the homemaker arts and keeping a family afloat. She worries for his soul while he considers her a great Mom but superfluous. I just have to think, when considering the both of them, and the amount of angst each experiences, she and all with great faith in a religious system or high natural spirituality are better off than those not adopting such a system. Even if such a system adopted is categorically not true. The “true believer” in whatever religious system, overall in life, happy and content with other similarly deluded souls, to my mind are better off and more well adjusted than critical, penetrating, reason-wielding scientific thinkers. Or are they?
In relation to religion this is to ask do we take a transcendentalist view which is informed more by our instinct our hunches in affirming the existence of God or do we rely on scientifically measured “truth” which invariably discounts any belief in God or “superstition” as scientific thinkers label religious belief. Apparently one deludes oneself into a certainty of belief that supplies answers to life’s big questions and in this way the seeker achieves cognitive equilibrium. In relation to
poetry the same concern might move us to either choose a romantic or modernistic orientation for our writings. A romance orientation will have us using many describing adjectives and writing of the glories of nature and how it makes us feel. Poets such as William Wordsworth and the Lake District poets of England or John Keats, Percy Bysshe Shelly or Lord Byron exemplify this school. A modernist or Imagist orientation for our poetry is, probably best exemplified by the early 1900s writing of the expatriot (born in Idaho) Ezra Pound. His life is truly unique and his political association with Mussolini and fascism, and his subsequent conviction for treason by the United States and his confinement for fifteen years in Saint Elizabeth’s hospital for the mentally ill in Washington D.C. attest to this. Moreover as proponent of modernism in poetry – the using of more concrete, straight forward, and unadorned factual prose – his influence was such that he changed the poets and writers of the “lost generation” before, during and after World War I to adopt a leaner, less gushing and beautiful writing style. Ernest Hemingway along with William Carlos Williams and many other writers/poets of the day was a great friend and stylistic champion of Pound and it was Hemingway especially who counseled Ezra not to assist Mussolini and fascism but of course Ezra always kept his own counsel though disparaging his activities on the behalf of fascism in the end. Pound always led the way and had many disciple follower lovers which doubly makes his life so interesting. Along with facilitating the modernist turn in poetry Pound also created the Imagist and Vorticism movements in poetry stressing an economy of language used in poetry and rigorous, pared down and to the point language.
So go check these poets and poetry movements or schools out. It is good to be informed about the history of poetry even if you just chuck all you’ve learned when you go to write poetry and blaze your own trail. For as Ezra stressed above all was breaking with the past and the “new” in whatever is written.
Artwork, original artwork, is now what we crave along with balls to the walls beatnik and other style poetry. Whether pencil drawings, oil or watercolor painting, collage, calligraphy, stickmen representations, pictures of beatnik cowboys or cow-women, acrylics, photos of found art, outsider art – please get a facsimile, photo or even the original if you don’t want it back into us. You will be blessed and we will try our best to show and publicize your work and make you famous. So get a jones for us and jazz us and the readers/voyeurs up, shower us with the same love we wish to spread on you. Amen.
Agone,
Randall K. Rogers
Editor, Beatnik Cowboy

Dr. Randall Rogers

Illusion

 

There are times I think all is lost

and it works out logically in my head

then the next day, hour, or transitory

second, the glass is full again

and I’m clever and handsome

I go look in the mirror to regard

myself reread with anticipation

my poems

and the bottom falls out again

I check my email and discover

a small poem of mine is accepted

anywhere and gigantism again

consumes me

but then I’m still not published

in Poetry magazine, I have “not

a pot to piss in” as my businessman

father might put it, I’m bald, short

with small hands, and have a

poor record cohabiting with women;

but what the hell, looking around

I see it could be a lot worse,

I could, for example, be

a simulacrum of myself

responding to life overeager

nervous and constantly

questioning myself

cloned perhaps in my early twenties

when maturity was all I

had to look forward to

and dying seemed like

the best option available.

 

 

 

Becoming Divine

 

for Walter Savage Landor

I don’t bemoan getting old

whence it is over and the

story told

it’s time to look forward

to again be bold

to look within

original sin

and enter a proximate

conception

 

I shall nary conceit

the final defeat

equate as hopeless

spurious last stand

which brings me my

glorious cup of doom

 

instead I shall assay

attempt to sashay

between halls of justice

and commonsense

in relieving the people

of their common woe

 

hoist my petard

sing free to regard

larder the most

decried by the host

most hopeful in any

final analysis

 

I shall become thee

a newborn infused

with vastly enhanced

subconscious reproach

to sweetly die rise up

fly between this

world and Elysian fields

which by remembrance

of efforts preceding

all those that might be

needing to drink

nectar of hope discover

an easy availability

of the Divine.

 

You see, witnessing

repeated reincarnation,

we all

become God,

eventually.

 

 

 

In Prison

 

The last place I wanted

to be looking good or

good looking was in prison,

but unfortunately that’s

where I found myself.

 

Michael Marrotti

Forgiveness Is A Thing Of The Past

The amount of
forgiveness
I’ve shown
to you
would make
a priest blush

The kindness
you’ve received
from me
was a page
ripped out of
the bible

I know
if anything
this sexual
escapade
could stop
at a four way
intersection

If you think for
one fleeting
moment
I’ll bite that bullet
again which has
chipped my teeth
and altered
my way of living
you’re wrong

I’ll tear down
everything I’ve
toiled to build

I’ll pay for sex
to contract
chlamydia

I’ll drag my
last name
through the
most vile shit
available
just to get even

You’ve stabbed me
in the past bitch
this time around
my fingerprints
will be on the
weapon

© Michael Marrotti

John D. Robinson

A FORTUNE & THE LOCH NESS MONSTER

From an obscure poetry e-zine
a poet and I assume, a solicitor
emails
to inform that a late client of
his and I share the same
surname
and that his client had
executed a road-building
contract worth £14000 000
and had received payments
of just £7000 000
before he and his immediate
family were wiped-out in a
car-smash and no other
known relatives have been
found or have come forward
to receive the outstanding
£7000 000;
what the fuck is this all
about ? I wonder;
what the fuck is the
point of this bullshit?
Robinson is not an un-
common name and there
is no way to trace my
ancestry due to a Romany
travelling nomadic history;
generations of unregistered
births, deaths and
marriages;
maybe I should email back
and confirm I’m a
Robinson
with no proof I am
related to his late client
and no evidence to support
that I’m not related;
but, possibly, I may be
worth millions
it’s possible;
it’s possible,
really,
just like the
Loch Ness Monster
agreeing
to make a public
appearance next year
at the Edinburgh
Festival.

Jonathan Beale

Givens

 

Beneath the axiom lays some tread

Seen through a Spinozian lens

Forbearers from ancient Greece

To romantic Germany: councils sit upon

The throne of decision –

Listen… listen…listen…

As the machete of uncompromised

Reason whistles through the

Air.  Stopping only for stone.