Grant Tarbard

Pamplona Gut

 

 

The running of the bulls

down gullets dusted with olive oil,

Hemingway chews hungrily

on the tail of the slain creature.

Plenty of garlic, a dash of Navarra grape,

the colour of Picasso’s dreams.

 

 

Merry-go-round

 

 

The birds circle on

a Ferris wheel in a

polysyllabic sky

 

In miniature, they

look like great eagles forming

knitting pattern pearls

 

Light patches of white

sky, seeing is believing,

enthral the storm clouds

 

Turner seas in swells,

God is moving furniture,

all is lost it seems

 

The Sun is a ghost

making shadow puppets

out of burnt arrows

 

 

Peritoneal

 

 

I have sewn a safety loop into my

flesh to be used for fastening hinges

inside my blood cells. The tubes, feather dry,

sugar my rose-hip tea, the milk syringe

howls into the clunking machine midnight.

Might I go outside in the bone orchard?

Young jowl roots coloured yellow, the old white

imagination, slugs on the morbid

nettles. A killer on the honeysuckle

noxious in the healing of the limbs, an

abattoir staring up at a petal

rasping a last breath before I guzzle

divorce, swallow divergence and red wine.

Severance, sable dust is my bloodline.

 

Michael Marrotti

“Contemporary Poetry”

It’s a digital
playground
of unworthy
abstract
artists

Desperate
smiles and
poetry that
owns no merit

Who can write
in volume
the most
forgettable
amount of
poems

It’s a race
to be first
and nobody
is watching

The audience is
the competition
Both are stuck
on the same stanza

Write your boring
little heart out
Write like you
actually have
something to say

If your writing
meets the standards
of contemporary
poetry

You’ll be awarded
a friend request
on Facebook
by some other
guy with an
equally small penis
waiting to praise
your boring poetry
in the hopes that
you’ll do the same

© Michael Marrotti

“A Critical Self Analysis”

If I were a little
more dishonest
Smiling when I
didn’t mean it
Offering praise
instead of candor
I’d have more friends

If my penis had
a few more inches
Got off sooner
than later and
lowered it standards
I’d have more lovers

If my dealer would
lower his prices
Picked up the phone
when I wanted
and didn’t behave
like a green eyed
bastard
I’d be less unstable

If these words
weren’t so fluent
Profound and
proactive
Worthwhile and
clever
By the standards
of the small press
My book of poems
would’ve been
published

© Michael Marrotti

“The Banality Of Poetry”

If each platitude
was met with a fist
This world
of monotony
would be
bestowed
the gift of
originality

If there were
laws against
banality
You’d be
guilty as
charged

If there were
fines and restitution
for each cliche
thing you do or say
Socialism would
flourish and the
trivialities of life
would cease to be

Redundancy
would vanish
and then maybe
just maybe
I’d take the time
out of my schedule
to sit down with you
and hear what it is
you have to say

© Michael Marrotti

 

Dead Dog

Dead Dog

 

Tonight

I opened the Ziploc bag

encasing the cremated remains

of my dead dog.

 

She was the family dog

at first, of course, but

as my siblings and parents aged,

she became my dog.

 

Under the mist

of gray clouds,

I spread the last remnants

of once was my

first love.

 

A black canine

without prejudice,

judgment or malice,

just a mutt

with freedom

allowed to run wild

no matter what

shit she returned

her fur was covered in.

 

In her gray years,

she developed a pinched

nerve in her spine,

providing her with seizures

that voided her bowels

all over me, as I was

always the only one

to hear her yelps for help.

 

I’d watch her stumbling

around the back yard

against the dark night

as she tried to recover,

leading her back with

optimistic white lies.

 

A few weeks later,

my parents put her down.

 

All I have left

is a blurry photo

hours before her

lethal injection,

 

and a yard that is

no longer mine,

but is scattered

with her bone fragments

and ashes embedded

across her final resting place.

 

 

Scribbled by Chris Butler

 

Irsa Ruçi

1. 
No sun, no day
Every day we die a little more
Out of nothing
In each slay of the soul
Strange in our consciousness
While body is desolate in emotions.
Every day we lose a little of ourselves
Under us, beyond wit power
There where the heart places its heartbeat
And merciless where the ideals are violated.
Every day we look in each – other’s mirror
And we are afraid to distinguish our face
From tears
Which in our innocent eyes are left.
Each day we answer to love with indifference
When we are lazy to suffer for our feelings
And depict the imprisoned freedom with hated
That only time can witness its age.
The human is dim united in solitude
In only a handful of ashes
In the oblivion form.
We see the morning like hold backs that the yesterday leave
Till death comes naturally
Nothing can take away your soul.
© Irsa Ruçi    (Translated by Silva Daci)
2. 
Nothing new
My amazement has escaped
From the conscious
Now nothing new happens occurs in this country
Near dreams,
Despite heavy words in content, merciless,
Break the air with the selfishness
Of misunderstanding for the weight they carry.
So, many nights the silence waits there for me
Speaking with heart bits, in darkness songs sound deeper
With a sounding voice between the silence
Giving wings to the spirit to fly in delirium
Winter has no strength to stand, trees will flower again
Still the smell of flowers will fulfil with oxygen
The lungs of nature
Still the rivers will flow again peacefully, unchangeable
But my amazement will amaze me again…
Because in this little country the napping is long
Waking up is fear and happens rarely
More rarely than the eclipse, more often than the longing
Such are illusions and the foolishness!
Poetry is turned in a rite
To keep the breath of my poetic spirit alive
Because I am scared by this little country were nothing happens
I paint the reality between the lines
And hell I cannot avoid it:
In this place where we live more with words, it’s spoken with tears!
© Irsa Ruçi    (Translated by Silva Daci)
3. 
Beyond the stars
You come at me when the world is resting in dreams
You come to become my dream
You come to steal my sleep away
You come to reverse the night in whiteness of heart
You come to envy the stars:
Because to shine for someone on the earth
Is worth more than shining for everyone in the sky
Even more, given that your light in my soul
Never fades away…
You come when the time is afraid to slip by
The halt of the hour- hands wake the heart bit faster
You come with the darkness to give eternal light
You come like pieces of clouds falling in the land
Where my fantasies are sailing
You come and wander in every shelter of my feelings
… Oh God… what vibrant experience when you come
Autumns scent takes my breath away:
Your coming it’s me leaving this reality…
© Irsa Ruçi    (Translated by Silva Daci)

A Letter from the Editors

Hello,
It is I again. How are you? Are you finding this all still fun? Am I? Don’t know for all but yeah why not? Well maybe cancel that “why not?” because I still have sightless eyes that see and if I get to thinking, a little too much you know, oh hell I’m ready to pack it all in and considered what’s lived good enough. I remember what Mom always said as she neared her equinox “you’ll never catch me kicking and screaming”. I’d always think back then whenever she’d say this as she drank and smoked, “Wow, she’s not tethered too tightly to this Earth.”
And she wasn’t. And she died at age sixty-six from a cerebral stroke, brought on by excessive cigarette smoking and alcohol drinking. She was born in 1935. Just think of what she must have seen. Just think of what she must have experienced. During World War II she was a young girl. By 1955 she was elected Queen of the Snows at the St. Paul, Minnesota, Winter Carnival. Married in 1957 by July 20, 1961 she gave birth to me. For the life of me, though I was present at the time, I wonder what that was like? What it must have been like giving birth to my mind? For how else would she continue to experience herself except through me? Or was it the other way round?
Oh Lord Yeah! Lord Yeah, may we ask, how for us to be cool? Lord Yeah say: “Read ‘Beatnik Cowboy’ young-wet-behind-the-ears and look for the new Beatnik Cowboy Press book coming out”.
And we, the editors here at this, well, this “magazine” if you could call it that, have no reason to discount this statement. At least not yet anyways do we harbor quarrelsome doubt but nonetheless we’ll keep you posted on this for the time being.
As for what we do have dig these new and older poets we are discovering. And groove on with your righteousness as it most certainly shall be.
Blessings,
Randall Rogers

Paul Tristram

The Boy With No Manners Broke Your Heart, Really?

So you like bad boys,
do you?
Then why are you crying
and upset
because he’s doing
what bad boys do?
Oh, you don’t want him
to be a bad boy to you
just to everyone else,
a selective bad boy thingy?
You’re pissed
because he keeps going out
with his bad boy friends
(You’re actually saying this?)
Ok, he can go out
with his bad boy friends
but not when you say so?
So you want control?
you want to police him?
You want to be his prison warden?
You’ll be picking out
his clothes for him next,
telling him what to wear each day.
Cutting up his meat in restaurants
and spitting on Kleenex
to wipe his dirty face in public.
That bad boy of yours
needs to get himself safely
away from the likes of you.

© Paul Tristram 2016

She Has A Face Just Like That Donovan

You know, that folk singer
from the 60’s?
I keep waiting for her
to start singing
‘Season Of The Witch’
or something stupid like that.
Apparently she really likes me?
I mean, she’s lovely to talk to,
has a great sense of humour,
knows her single malts
and her interests go way beyond
kittens, cosy nights in
and long, romantic beach walks.
But I can’t fuck that,
it’s just too disconcerting.
I guess I’m just not
‘Mellow Yellow’ enough
to get that image
out of me bonce, mate, innit.

© Paul Tristram 2016

Michael Marrotti

Word’s Of Wisdom

These words
I speak
are charitable
It’s on the house
have a poem on me

These words
I speak
live in the
moment
Time is
precariously
ticking right
on bye

These words
behave
like a slut
off the rag
You can
have it first
I’ll take
sloppy seconds

These words are
like humanity
When you need
them the most
They’ll get up
and leave you

Jonathan Beale

The soul alone on the Island

 

The Stone shack – alone austere

Birth simply happens

An almost non-event

As too is death

 

Equilibrium is as it does

Moss silently listens

Men’s blood is black

The children – know

 

The air breathed is rock

Cementing each – and – every – action.

Nothing is valueless

Everything is indivisible

 

Walking along this horizon

To a backward infinity

A thousand slated rectangles

Mirroring the light –

 

Days are as ripe as seams

Ever-expanding –

The girls dream of strawberries

And Keats wanting Lawrence

 

Boys dream of Zanzibar

Fulfilling their fathers boots

Whisky whistles a merry tune

From dusk into timeless night

 

Dark tales shared across raucous  

Laughter, horror, fear, wit, and wantonness

Then tomorrows Tells

Remind the men like a wife reminding

 

These aurora borealis 

Mystical majesty

As they in their youths blood

Know their destiny but may not understand

John D. Robinson

SCAM CALL POEM

“Hello” I answer.
“Are you the owner of a PC on this number
sir” a voice asks
“Yes” I say
“Sir, you have very serious problems with
your PC; it has been sending us data
informing that your device in under
serious threat and I can help you”
“And who are you?”
I ask
“Sir, my name is Pedro, I am calling from
PC Experts and I need
you to give me remote access to your
PC so I can save your PC Sir”
“Yeah, and I’m
Napoleon” I say
“Excuse me sir?”
the voice says and then repeats himself
“Sir Pedro” I say
“So you want to help me out because you’re
worried for me and my computer
and you’re doing this
because you’re a nice caring person and
wouldn’t want to
think of me upset and you want to
help me out for nothing”
“Excuse me sir? It is my job. I am Pedro”
the voice says
“And I’m Caligula” I say
“Excuse me sir?” the voice says
“Die fighting not waiting” I say
“Excuse me sir? the voice says and then
the line
suddenly
dies.

Steven Storrie

TWO PUSSIES

 

They’re in my garden

Jawing at one another
Nose to nose
Whisker to whisker
Claw to claw.
I gaze at them intently
And wonder why they spend
So much time together
When they clearly
Hate each other’s guts
One swipes at the other

And they screech and whine

Move back
Come together again
The black one tries to leave

Tentatively

Its eyes always on the other
Waiting for a sneak attack
It thinks better of it
Stays.

The smoky one seems to be
The boss.
It prowls and dominates
Its land
like this was ancient Egypt
and it knew it was the Queen
like it belonged to Sheba
or Nefertiti
or one of those other ones
that would have made it a God.
I’d love to know what

The hell they’re saying to

Each other
These two pussies
In my back yard.
Eventually they strut

Slowly along the fence
And finally leave
Out of sight
Nothing settled
Nothing gained.
Wait.

Why?
What the hell
did you think
This poem was
gonna be
About?